Hi there. I don't post too often here, but frequently come in to see what's happening. My son is a senior in high school. His school is under major renovation, so they are having this year's plays at the local theater, which is pretty cool, as it's an old theater in wonderful condition. But there is not as much room on stage as at the high school. Their director had Cabaret chosen fo. rthe spring play - bought the rights & all. She just found out today that the school "has issues" with Cabaret & will not allow them to do it. Auditions are next week. She has material for Godspell, so this is what she has decided upon. I have never seen the play or the movie. Can anyone tell me anything? Do you think it is a good play for a high school? Any information or opinions will be greatly appreciated!
Godspell is a good show but I wonder if they'd be allowed to do that either singe religion is such a touchy subject. My aunt is a retired teacher and her school wasn't allowed to do Damn Yankees because of the "Damn".
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I'd prefer to do a watered down version of Cabaret than Godspell. Problem is....tryouts are next week for the show in March. Our director doesn't have time to look for & buy rights for a different show. And the ones she has done years before....she thinks are too big (physically) for the theater. The theater is not as deep as the hs auditorium. I'd prefer to be creative and make them fit! Thanks for all your opinions. Isn't Godspell more an ensemble, with mostly singing & very little speaking parts? I think that doesn't fit the kids. Last year they did Thouroughly Modern Mille & the year before, Little Shop of Horrors. I like both of those so much better! They did Faust last fall....that was a real "WOW" show. My dear, I am rambling! Thanks again!
I don't think they are allowed to "water down" scripts. Don't they have to stick to the book? I'm sure that Godspell would fly before Cabarat which is pretty raunchy. Good Luck. I'm sure they will have fun no matter what. Mr. E's suggestions are excellent, but if your son's director is like ours your opinion won't matter
My son's also a hs senior. They were going to do Sweeney Todd, but now I'm not sure. Since the movie is coming out with Johnny Depp I think the director thought they could sell more tickets to the other kids. They did The Mystery of Edwin Drood two years ago and the kids had a lot of fun with it.
Schools are often bound by a lot of social, community, and political pressures to not do things that are either too raunchy or too religious. There's lots of people they have to work hard to please and avoiding either of these extremes seems to be an offense they choose to avoid. It's sort of an interesting debate because one of the tenets of theatre is for plays to depict aspects of "real life" on the stage--and, as we know, "real life" doesn't exclude any extremes. But as a conservative parent myself, the play that most thoroughly disturbed my soul ever was Cabaret. The Minneapolis Children's Theatre did a teen intensive production of this play the summer after Laura graduated from high school. They did such a phenomenal job of it that I truly could hardly watch Laura play the role she played and went home and wept afterwards. Was it great theatre? Oh my gosh---absolutely! But did the story line also deeply trouble me? To the core. I will choose never to see Cabaret again but should it (and other more difficult stories) never be told on a theatre stage? I can't go so far as to say that but in a parental capacity I certainly recommend talking through plays and their story lines with your children. It may sound really elementary but even Laura playing Sandy in Grease is a minor example. Sandy caves in to peer pressure thinking she has to become someone who compromises her values and principles to be accepted by the group. That is not a value that most parents would subscibe to and it's a great opportunity to discuss such things with your developing kids. I enjoyed the play Godspell even though not everything in it exactly represents my personal faith beliefs. It has a lot of music and youthful excitement--what's not to like, was my opinion.
I would love to hear more about that production of Cabaret. Who did Laura play?
I find Cabaret to be one of the most unique musicals ever created - it's an incredibly crafted musical, to say the least, with a tuneful (and legendary) score by Kander and Ebb and a dense, yet very accessable script by Joe Masteroff. It can also be one of the most disturbing things ever to grace a stage, depending on the way it's directed.
Hal Prince's original production was fairly straightforward - Joel Grey played the Emcee as an totally androgynous being, which won him a Tony and Oscar when it was turned into a film.
Sam Mendes' 1998 Broadway revival really turned the show on its head with his concept, turing the Emcee into a highly sexualized being, with white body paint, body glitter, and bright red nipples. His Emcee was bisexual, the number "Two Ladies" was turned from a performance with two girls and the Emcee into a number with one woman, the Emcee, and a man in drag. The whole staging, especially the costumes, was very sexual.
But it was perhaps the final scene which was the most haunting, with the Emcee revealing himself in a concentration camp outfit, complete with Yellow Star (Jew) and Purple Triangle (Gay), as the entire stage filled with smoke like a gas chamber. Terrifying and extremely disturbing, yet brilliant theatricality at the exact same time.
The Mendes' revisions are the once mostly used now, so I'm wondering if that's anything like the production you saw.
"Cabaret" is SUPOSED to be disturbing, offensive and haunting. It forces us to confront not only the horrors of the literal script - the Nazi persecutions of Jews and homosexuals, but, at a deeper level, forces us to to confront similar horrors in American history: slavery, the KKK, modern sergegation of, and discrimination against blacks, asians, arabs, homosexual men and women, the handicapped, the poor and the aged.
At the end of "Cabaret", a large mirror tilts toward the audience, forcing us to face ourselves and confront our prejudices.
I think that any school system that prohibits "Cabaret" is run by cowardly adminstrators . What could they possibly fear? The truth?
I was Director of Theatre at a high school in Massachusetts and was blessed with a principal who gave us his full support and did not get involved in, or try to influence my dramatic and musical choices.
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To all: Long runs, great reviews and multiple curtain calls to all!!
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